ChicagoPostmodernPoetry.Com
Poetic Profile
Juliana Spahr


General Questions
1) Where did you grow up? Was poetry and writing
part of that mix?
Chillicothe, Ohio.
There was little poetry and writing. But we didn't have a television so I read a
lot of books. Mainly novels. And a lot of newspapers, news magazines, etc.
Although books of any sort were hard to find at the time. The public library
didn't have a big collection. The only bookstore in town was Christian. (This is
still true.) In high school I used to hang out at
the community college library but I couldn't check stuff out there so I would go
there in the evening and just read for a few hours.
2) Who are your poetic influences, favorite poets, writers, artwork, other
things that inform your work?

3) When did you 'become' a poet when did poetry become part of your everyday
life?
I still don't identify as a poet. But poetry became a part of my everyday life
in college.
4) Where were you educated? Was this important?
Central Elementary.
Smith Middle School.
Chillicothe High School.
Bard College.
SUNY at Buffalo.
Going to Bard was wrenching. I went from a rural midwestern community to this
school full of rich kid slackers. It took me years to feel that I was on my feet
again. But it was also amazing. Robert Kelly gave me a great list of books to
read. I went to the library and looked up everything. I came out with a
different head. I'm not sure it is a better head, but it is a different head.
Bluffalot was the same, although less disorientating. By then I knew what school
was like. Lots of amazing reading. Although graduate school is a miserable way
to spend your time and Buffalo was a complicated place. I do miss chicken wings.
But yes, it was important.
5) Do you consider yourself a women writer?
Yes.
Hawaii writer?
No.
Experimental Writer?
No.
6) What is your favorite food?
Water.
7) Sports Team?
None.
8) Vacation Spot?
I've been on so few vacations in my life. Although I miss the beach horribly.
But not really as vacation spot. More as backyard.
9) Curse Word?
I don't know. Although I am fond of the doubled meanings in the word fuck.
10) What is your opinion of Avant-garde American writing in comparison to
other avant gardes from other places in the world? Does the Avant Garde exist?
I remain confused about what avant garde might mean. But the techniques that are
used by what I think we might colloquially say is the American avant garde (or
the American experimental) tend to be the same
techniques that come out of modernism, an international literary movement which
steals a lot of formal devices from oral poetries. I would probably say that any
American avant garde is part of avant gardes in other parts of the world but I
am not sure the avant garde exists or not. But people of many different nations
and locations use the same
techniques that avant garde writers use.
Craft Questions
1) How do you form a poem?
I walk around and do nothing and do nothing and then I think oh I need to think
about that some more because that is
interesting/upsetting/ confusing/would change my life. Then I say, what is the
best way to think about that? And sometimes I answer, the best way is write an
essay and I go and try and write an essay but often the essay never gets written
because I've got other essays to write. And sometimes I answer, the best way is
to write a poem. Then I usually think some about what sort of poem it should be.
And if I need to do research, I go and do research. This is the main thing that
I do. Like
when I wrote the alien abduction poem I spent a lot of time reading the
literature in this field. As I do this I take notes. Then I go and sort through
the notes and write the poem. This probably takes numerous drafts. Then I read
the poem a few places and keep changing it. And someone publishes it or I get
tired of writing it. Etc.
2) Do you use collage, parataxis cut ups or other tools?
Yes.
3) Is poetry an organic or synthetic process for you?
Both.
4) Where do you write? Is ambiance important? Do you have rituals or habits
when you write?
I write whenever, wherever, or never. Ambiance is not important. I have
no rituals or habits.
5) In the balance between found language and created language where does your
work fall? Do you use many sources?
I do use sources. It depends on the piece, but there might be 10% found
language and 90% "created." But sometimes it is the reverse.
.
